Powers of Horror: An Essay on Abjection (European Perspectives) (European Perspectives Series)

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Powers of Horror: An Essay on Abjection (European Perspectives) (European Perspectives Series)

Powers of Horror: An Essay on Abjection (European Perspectives) (European Perspectives Series)

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We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. The work is an extensive treatise on the subject of abjection, [1] in which Kristeva draws on the theories of Sigmund Freud and Jacques Lacan to examine horror, marginalization, castration, the phallic signifier, the "I/Not I" dichotomy, the Oedipal complex, exile, and other concepts appropriate to feminist criticism and queer theory. One aspect of the abject that Kristeva highlights is the fact that its main characteristic is not about sickness or disease, but rather about meaninglessness. However, I would quite appreciate anybody to respond with a summary of anything interesting in this book, as I found very little; and I'm very intrigued to find this book got such a high rating from so many readers.

There were too many instances where the translation was repetitive, felt embellished and was just plain wordy. Critics who seek an alternative to sexist and, in general, imperialist practices in psychoanalytic writing will want to read [this book]. Few original ideas, but plenty of interesting references to diverse sources (Freudian psychoanalysis, the Bible, anthropology, semiology, modern literature) to which Kristeva's essay is too heavily indebted to be regarded as a truly groundbreaking work. Kristeva answers the above question with no banal bothering with a topic so small as germs and instead posits that the poop's threat comes from the ego being "threatened by the non-ego, society threatened by its outside," while blood "stands for the danger issuing from within the identity (social or sexual); it threatens the relationship between the sexes withing the social aggregate and, through internalization, the identity of each sex in the face of sexual difference. The person you’re going to hate the most, and be the most abjected by, is going to be that big, fat person, eating an ice cream cone, waddling down the street.Kristeva also associates the abject with jouissance: "One does not know it, one does not desire it, one joys in it [on en jouit]. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. What we are confronted with when we experience the trauma of seeing a human corpse (particularly the corpse of a friend or family member) is our own eventual death made palpably real. The Imaginary is that mental phase, or that facet of conscious selfhood's structure, where we have representations in our minds of the things in the world around us, of things that are "other," but which have not been totally subsumed by and defined within the context of social consensus, language, law, science, etc.

Nors abi tos analizės reikalingos – pirmoji abjekcijos veiksmą rodo esantį paveldėtoj/ išmoktoj kultūroj, antroji – geroj literatūroj, kitaip sakant, kūryboj.It’s interesting to consider how many bodies without souls emerge within the horror and gothic genres: vampires, zombies, robots, etc. Take the usual sense of the gross, the repulsive, the degraded in the abject, haul along the Latin roots for "throw away" (or "make distant" or "define as other than yourself") and name yourself--the thrower--"the subject" and we're well on our way to getting at this book's premise. To experience the abject in literature carries with it a certain pleasure but one that is quite different from the dynamics of desire.

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